Climate Crisis: The Latest Architecture and News

The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions from 77 countries have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.

In this second feature, to learn more about the science panel on design for Climate Adaptation we met with Billie Faircloth, Partner and Research Director at KieranTimberlake, Adjunct Professor at the University of Pennsylvania, and Maibritt Pedersen Zari, Associate Professor at the School of Future Environments, Auckland University of Technology.

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This Earth Day, U.S. Vice President Kamala Harris highlighted the many benefits of nature-based solutions and recognized the important role of landscape architects in this work. At the University of Miami, she also announced $562 million in funding for coastal resilience projects, supporting 149 projects in 30 states, through the Climate-Ready Coasts Initiative of the National Oceanic and Atmospheric Administration (NOAA). Vice President Harris’ remarks build on the Biden-Harris administration’s support for planning and designing with ecological systems in an equitable way.

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For the 18th International Architecture Exhibition – La Biennale di Venezia, The Albanian Pavilion set out to respond to the theme “The Laboratory of the Future” with the exhibition “Untimely Meditations or: How We Learn to Live in Synthesized Realities.” The project seeks to introduce and understand new typologies of civic spaces by repurposing the rendering engine as a mechanism for exploration. The curatorial team is composed of architects Martin Gjoleka, and Era Merkuri, exhibiting together with architect Ani Marku and 3D digital artist Geraldo Prendushi.

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Skidmore, Owings & Merrill have been selected to design the New York Climate Exchange in partnership with Stony Brook University, a public research institute in New York. The new net-zero campus, located on Governors Island, New York, is planned to serve as an anchor institution for the development of new climate solutions. As a first-of-its-kind international center, “The Exchange” will also act as a regional hub for the green economy.

Rising over global cities, the modern skyscraper has long been a symbol of economic growth and environmental decline. For years, they have been reviled by environmentalists for being uncontrolled energy consumers. Malaysian architect Kenneth Yeang acknowledged the skyscraper as a necessity in modern cities and adopted a pragmatic approach to greening the otherwise unsustainable building typology. Yeang’s bioclimatic skyscrapers blend the economics of space with sustainability and improved living standards.

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MVRDV has joined the Van Gogh Homeland Foundation to develop the first Van Gogh Homeland Biennale to bring awareness to the challenges faced by the Brabant region. At the initiative of Midpoint Brabant, the experience strives to combine knowledge of architecture, landscape design, and sustainability to reignite enthusiasm for the Brabant landscape, Vincent van Gogh;s native Dutch province. According to the organisers, the region is facing a number of threats, including the increasing number of floods and the limited availability of space, but, through an orchestrated effort, the landscape that inspired van Gogh 150 years ago can become more sustainable and greener in the future.

At the 2023 Biennale Architettura, Finland's Pavilion will present its exhibition Huussi, Imagining the Future History of Sanitation, which deals with the architecture of water and nutrient circulation, questioning the water toilet and Its implications for the future. "Huussi" is the Finnish word for an outhouse, a small compost toilet commonly used by Finns in rural settings and holiday homes. The exhibition, curated by Arja Renell and The Dry Collective, a group of Finnish architects, presents this typology as a starting point to finding alternative solutions to managing wastewater, inspiring professionals to start envisioning new sanitation solutions. At the core of the presentation, the exhibition questions the consequences of waste in the context of the current climate crisis the world is going through.

Refurbishment and adaptive reuse have been at the forefront of architectural discourse in recent years. This demonstrates that the profession is becoming increasingly aware of its impact on the environment and the opportunities presented by reusing what has already been built. Architecture 2030 has recently launched CARE, or Carbon Avoided Retrofit Estimator, a new digital tool that enables designers, owners, and communities to quantify the carbon benefits of adaptive reuse. By entering a streamlined set of project information, such as energy targets and potential building interventions, users can quickly estimate both operational carbon emissions generated by the use of the building and embodied carbon emissions, which are tied to the building materials employed.

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Venice, a city usually concerned with devastating floods, now faces the opposite problem: canals are starting to run dry following weeks of dry winter weather and unusually low tides. A combination of factors is believed to have caused this rare sight: lack of rain, high atmospheric pressure, and the lunar cycle producing low water levels during ebb tide. Since the canals serve as streets in the city, the phenomenon has implications beyond the disappointment of the tourists. Some of Venice’s smaller calas have dried up almost entirely, making it impossible for gondolas, water taxis, and ambulances to reach areas of the city.

The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.

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This article was originally published on Common Edge.

This week, the Museum of Modern Art officially launches a new series of exhibitions entitled Architecture Now. According to MoMA, “The first iteration of the series, New York, New Publics, will explore the ways in which New York City–based practices have been actively expanding the relationship of metropolitan architecture to different publics through 12 recently completed projects.”

The exhibition will showcase public-facing work, such as parks, community gardens, and pools, by Adjaye Associates, Agency—Agency and Chris Woebken, CO Adaptive, James Corner Field Operations, Kinfolk Foundation, nArchitects, New Affiliates and Samuel Stewart-Halevy, Olalekan Jeyifous, Only If, PetersonRich Office, SO – IL, and SWA/Balsley and Weiss/Manfredi.

This article was originally published on Common Edge.

Last November, the annual climate conference COP 27 came to a close in Sharm el-Sheikh with a tentative agreement, reached at the last moment, to set up a “loss and damage” climate fund for Africa and other developing countries. For Africans, this was cause for muted celebration, because for generations the continent has built its climate change agenda almost exclusively around the pursuit of climate justice, a desire to enforce liability on the industrialized nations responsible for the bulk of global carbon emissions. All of this has unfolded, in a sort of willful blindness, while a majority of Africans struggled with the most prosaic challenges: inefficient urban sanitation; poor stormwater management; a paucity of water, sanitation, and hygiene facilities; willful and unabated deforestation; and environmental degradation.

Carbon footprint, circularity and environmental sustainability are terms that are increasingly present in many professional fields, but what do they mean? How do they relate to architecture and the built environment? We spoke with civil, environmental and sanitary engineer Lucas Rosse Caldas about these and other emerging architectural issues.

Lucas is a professor at the Graduate Program in Architecture at the Federal University of Rio de Janeiro and the Civil Engineering Program at the same institution. He participated in chapter 9 of the sixth report of the Intergovernmental Panel on Climate Change (IPCC) on buildings. He wrote several scientific and technical articles about architecture and sustainable construction.

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